The lower, and beginning, segment of the unique garden gate #208 was born from a study of lines and intersecting planes inspired by a stone residence with flat masonry roof lines and supporting plinths discovered years ago on a road trip through Pennsylvania. The remaining aspects are simply Charles left unchecked.

The theater of the lower colonnade shouldered by the functionality of old-time exposed joinery makes for unusual garden gates that are hard to categorize.

Focal points have been around forever, from the eyes in Vermeer’s Girl with a Pearl Earring to Monet’s setting sun in Soleil Levantto. We center our focal eye with the unique garden gates #208 on the receding perspective, interrupted, or obliterated, by a forefront pattern of plane geometry. 

The lower colonnade style of plinths hand-planed to a foil profile (see Progress). Each plinth of the artistic garden gate 208 is thicker from left to right.

The same receding thickness pattern as with the plinths, only right to left.

In-Progress

The unusual garden gate #208 features a system of joints not commonly seen in our other 140 or so designs. In part because the gate is 3″ thick and requires something more. But also as an element of design where joinery approaches performance art.

See Woodworking Joint #9

Dry-fitting the joint to exhibit the pair of top locking keys. At 3″ thick x 48″ wide x 70″ high, the unique garden gate #208 is heavy enough to require full thru-tenons with locking wedges.

A look at the completed details of the top pair of wedged keys.

The tenons for the lower plinths will feature two locking pins, 1/4″ x 1/4″, which are cut in with a bench top Delta mortiser.

The tenons fitted to their mortises.

With the lower locking key mortises as performance art for the artistic garden gates #208..

With the Bubinga keys.

A decision to assemble this unusual garden gate now, providing a visual reference of what exists and an aid to help imagine what might be.

Hallucinations. Too much work. So At this juncture we’ll set the work aside and return in a week or so, freshly rested.

A dry-fit to provide some guidance against a listing ballast.

Adding a series of horizontal rails with decreasing thicknesses, and a series of interlocked verticals at staggered lengths, punctuated with 1/2″ oak dowels. The theme of graduated thicknesses repeats itself throughout the artistic garden gates #208.

By Ben and Charles Prowell
Featuring gate #208s, among others.
Fine Home building April 2016
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